Bibliography

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Burchard, Ludwig. “Pieter Bruegel im Kupferstichkabinett zu Berlin”. Amtliche Berichte aus den Königlichen Kunstsammlungen, Amtliche Berichte aus den Königlichen Kunstsammlungen, 34 (1913): 223 - 234.
Burchard, Ludwig. “Bruegel's Parable of the Whale and the Tub”. The Burlington Magazine, The Burlington Magazine, 91, no. 557 (1949): 224.
Burgess, Renate, and Marianne Winder. “Ancient cures depicted in a drawing by Pieter Bruegel the elder”. In Zusammenhang: Festschrift für Marielene Putscher, 245 - 270. Zusammenhang: Festschrift für Marielene Putscher. 1984. Reprint, Cologne: Wienand , 1984.
Büttner, Nils. “'Quid Siculas sequeris per mille pericula terras?' Ein Beitrag zur Biographie Pieter Bruegels d. Ä und zur Kulturgeschichte der niederländischen Italienreise”. Marburger Jahrbuch für Kunstwissenschaft, Marburger Jahrbuch für Kunstwissenschaft, 27, no. Journal Article (2000): 209 - 242.
Büttner, Nils. “Review of Brueghel Enterprises”. Kunstchronik, Kunstchronik, 54 (2002): 462 - 465.
Peter Paul Rubens: Barocke Leidenschaften. Exhibition catalogue Braunschweig: Herzog Anton Ulrich-Museum. 2004. Reprint, Munich: Hirmer, 2004.
Butts, Barbara Rosalyn. Five Centuries of Drawing: Masterpieces from the Museum of Fine Arts, Leipzig. Exhibition Catalogue Saint Louis: Saint Louis Art Museum. 1991. Reprint, Saint Louis: Saint Louis Art Museum, 1991.
Butts, Barbara, Joseph Leo Koerner, and Betha Whitlow. The printed world of Pieter Bruegel, the elder. Exhibition Catalogue Cambridge (Massachusetts): Arthur M. Sackler Museum/Harvard University & Saint Louis: Saint Louis Art Museum. 1995. Reprint, Saint Louis: The Saint Louis Art Museum, 1995.
Buyssens, O. “De schepen bij Pieter Bruegel de Oude”. Mededelingen der Academie van Marine van Marine van België, Mededelingen der Academie van Marine van Marine van België, 8 (1954): 159 - 191.
Bye, Arthur Edwin. “Pieter Bruegel's "Fall of Icarus" in the Brussels Museum”. Art Studies: Medieval, Renaissance and Modern, Art Studies: Medieval, Renaissance and Modern., 1923, 22 - 27.
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C.G. Boerner LLC. Old Master Drawings. Exhibition catalogue New York: C.G. Boerner. 2002. Reprint, New York: C.G. Boerner, 2002.
Calmann, Gerta. “The Picture of Nobody: An Iconographical Study”. Journal of the Warburg and Courtauld Institutes, Journal of the Warburg and Courtauld Institutes, 23, no. 1/2 (1960): 60 - 104.
Campbell, Lorne. The Early Flemish Pictures in the Collection of Her Majesty the Queen. Collection Catalogue London: Royal Collections. 1985. Reprint, Cambridge: Cambridge University Press, 1985.
Camporesi, Piero. The Fear of Hell: Images of Damnation and Salvation in Early Modern Europe. 1991. Reprint, University Park, PA: Pennsylvania State University Press, 1991.
Camporesi, Piero. Bread of Dreams: Food and Fantasy in Early Modern Europe. 1989. Reprint, Chicago: University of Chicago Press, 1989.
Canedy, Norman W. “Pieter Bruegel or Giulio Clovio”. The Burlington Magazine, The Burlington Magazine, 123, no. 934 (1981): 35 - 40.
Cappelletti, Francesca. “"Paesi, fiori e frutta, ritratti. I pittori nordici e la storia della collezione Doria Pamphilj"”. In Dipinti Fiamminghi e Olandesi, 21 - 31. Dipinti Fiamminghi e Olandesi. 1996. Reprint, Genoa: Tormena Editore, 1996.
Cappelletti, Francesca. “The Enticement of the North: Landscape, Myth, and Gleaming Metal Supports”. In The Genius of Rome, 1592-1623, 174 - 205. The Genius of Rome, 1592-1623. 2001. Reprint, London: Royal Academy, 2001.
Cappelletti, Francesca. “Primi studi per il collezionismo di paesaggi a Roma all'inizio del Seicento”. In La "Konstkamer" italiana. I "Fiamminghi" nelle collezioni italiane all'età di Rubens. Atti delle Giornate di studio, Roma, Academia Belgica, 9-10 dicembre 2004. La "Konstkamer" italiana. I "Fiamminghi" nelle collezioni italiane all'età di Rubens. Atti delle Giornate di studio, Roma, Academia Belgica, 9-10 dicembre 2004. 2008. Reprint, Brussels: Institut historique belge de Rome, 2008.

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