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Brecht, Bertolt. “Verfremdungseffekt in den erzählenden Bildern des älteren Brueghel”. Bildende Kunst / Hrsg. Verband Bildender Künstler der Deutschen Demokratischen Republik., Bildende Kunst / Hrsg. Verband Bildender Künstler der Deutschen Demokratischen Republik., 4 (1957): 229 - 233.
Briels, J. “De Antwerpse kunstversamelaar Peeter Stevens (1590-1668) en zijn constkamer”. Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen, Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen, 1980, 137 - 202.
Broens, Gabriele. “Jan Brueghel d. J. - Pieter van Avont : Die fünf Sinne”. Bibliographie d'Histoire de l'Art, Bibliographie d'Histoire de l'Art, 1997, 8-10.
Broos, Ben. Intimacies and Intrigues: History Paintings in the Mauritshuis. Exhibition Catalogue The Hague: Koninklijk Kabinet van Schilderijen Mauritshuis. 1993. Reprint, The Hague: Mauritshuis, 1993.
Brown, Jonathan. “Der spanische Hof und die flämische Malerei”. In Von Bruegel bis Rubens, Exhibition catalogue Cologne: Wallraf-Richartz-Museum & Antwerp: Koninklijk Museum voor Schone Kunsten & Vienna: Kunsthistorisches Museum, 93 - 101. Von Bruegel bis Rubens. 1992. Reprint, Cologne: Locher, 1992.
Brown, Christopher. “A New Jan Brueghel Drawing”. Master Drawings, Master Drawings, 20, no. 4 (1982): 370 - 71, 418-19.
Brown, Christopher. Rubens's Landscapes: Making and Meaning. Exhibition catalogue London: National Gallery. 1996. Reprint, London: National Gallery Publications, 1996.
Brown, Beverly Louise. The Genius of Rome, 1592-1623. Exhibition catalogue London: Royal Academy of Art & Rome: Palazzo Venezia. 2001. Reprint, London: Royal Academy, 2001.
Brown, Christopher. Rembrandt: The Master & His Workshop; Exhibition Guide. Exhibition catalogue London: National Gallery. 1992. Reprint, London: National Gallery, 1992.
Brown, Christopher. “Bruegel Drawings in Berlin”. The Burlington Magazine, The Burlington Magazine, 117, no. 873 (1975): 828 - 832.
Brown, Christopher. Dutch Landscape: The Early Years: Haarlem and Amsterdam 1590-1650. Exhibition catalogue London: National Gallery. 1986. Reprint, London: National Gallery, 1986.
Brown, Christopher. “The Brueghel Dynasty”. The Connoisseur, The Connoisseur, 205, no. 824 (1980): 84 - 91.
Brugerolles, Emmanuelle, and David Guillet. Renaissance et maniérisme dans les écoles du Nord: dessins des collections de l'École des Beaux-Arts. Exhibition Catalogue Paris: École nationale supérieure des Beaux-Arts & Hamburg: Hamburger Kunsthalle . 1985. Reprint, Paris: École nationale supérieure des Beaux-Arts, 1985.
Brumble, III, H. David. “Peter Brueghel the Elder: The Allegory of Landscape”. The Art Quarterly (Detroit Institute of Arts), The Art Quarterly (Detroit Institute of Arts), 2 (1979): 125 - 139.
Brunard, Andrée. Pierre Bruegel et son temps. Exhibition Catalogue Brussels: Banque de Bruxelles. 1969. Reprint, Bruxelles: Banque de Bruxelles, 1969.
Brunius, Teddy. “Inside and Outside the Frame of a Work of Art”. In Idea and Form. Studies in the History of Art , 1 - 23. Idea and Form. Studies in the History of Art . 1959. Reprint, Stockholm: Almqvist & Wiksell, 1959.
Brussels. Maîtres flamands du dixseptième siècle: du Prado et de collections privées espagnoles.. Exhibition Catalogue. Bruxelles: Musées Royaux des Beaux-Arts, No Date.
Buchanan, Iain. “The Collection of Niclaes Jongelinck: II The 'Months' by Pieter Bruegel the Elder”. The Burlington Magazine, The Burlington Magazine, 132, no. 1049 (1990): 541 - 550.
Buchanan, Iain. “Dürer and Abraham Ortelius”. The Burlington Magazine, The Burlington Magazine, 124, no. 957 (1982): 734 - 741.
Budnick, Barbara. “Questions of Irony in Pieter Bruegel’s Magpie on the Gallows”. Georges-Bloch-Jahrbuch des Kunsthistorischen Instituts der Universität Zürich, Georges-Bloch-Jahrbuch des Kunsthistorischen Instituts der Universität Zürich, (2000): 68 - 83.
Buijs, Hans, Maria van Berge-Gerbaud, and Philippe Durey. Tableaux flamands et hollandais du Musée des Beaux-Arts de Lyon. Exhibition catalogue Paris: Institut Néerlandais. 1991. Reprint, Zwolle: Waanders, 1991.
Burchard, Ludwig. “Pieter Bruegel im Kupferstichkabinett zu Berlin”. Amtliche Berichte aus den Königlichen Kunstsammlungen, Amtliche Berichte aus den Königlichen Kunstsammlungen, 34 (1913): 223 - 234.

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