Bibliography

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Borromeo, Federico. Sacred Painting. Museum. The I Tatti Renaissance Library. The I Tatti Renaissance Library. 2010. Reprint, Cambridge: Harvard University Press, 2010.
Park, R.H.R., and M.P. Park. Saint Vitus' Dance: Vital Misconceptions by Sydenham and Bruegel. Journal of the Royal Society of Medicine, Journal of the Royal Society of Medicine, 83, no. 8 (1990): 512 - 5.
Walsh, Martin W. The Satirical Charity of Saint Martin from Bosch to the German Baroque: A Drawing by Michael Herr. Source: Notes in the History of Art, Source: Notes in the History of Art, 33, no. 2 (2014): 21 - 30. http://www.jstor.org/stable/23611170.
Cohen, Gustave. Scènes de théâtre dans les peintures et gravures de l'École hollandaise. In Miscellanea Leo van Puyvelde, 217 - 220. Miscellanea Leo van Puyvelde. 1949. Reprint, Brussels: Connaissance, 1949.
Persoons, Guido. Schilderijen door Jan Brueghel I de Oude geleverd aan Koning Sigismond III van Polen. In Archivum artis Lovaniense: bijdragen tot de geschiedenis van de kunst der Nederlanden opgedragen aan prof. em. Dr. J.K. Steppe, 349 - 355. Archivum artis Lovaniense: bijdragen tot de geschiedenis van de kunst der Nederlanden opgedragen aan prof. em. Dr. J.K. Steppe. 1981. Reprint, Leuven: Peeters, 1981.
Philipp, Michael. Schrecken und Lust. Die Versuchung des heiligen Antonius von Hieronymus Bosch bis Max Ernst. Exhibition catalog Hamburg: Bucerius Kunst Forum. 2008. Reprint, Munich: Hirmer Verlag, 2008.
Veldman, Ilja M. Seasons, Planets and Temperaments in the Work of Maarten van Heemskerck Cosmo-Astrological Allegory in Sixteenth-Century Netherlandish Prints. Simiolus: Netherlands Quarterly for the History of Art, Simiolus: Netherlands Quarterly for the History of Art, 11, no. 3-4 (1980): 149 - 176.
Van der Auwera, Joost. Sebastiaen Vrancx (1573-1647) en zijn samenwerking met Jan I Brueghel (1568-1625). Jaarboek van het Koninklijk Museum voor Schone Kunsten te Antwerpen, Jaarboek van het Koninklijk Museum voor Schone Kunsten te Antwerpen, 1981, 135 - 151.
Silver, Larry. Second Bosch Family Resemblance and the Marketing of Art. Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek, Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek, 50, no. 1 (1999): 31 - 58.
Stoichita, Victor I. The Self-Aware Image. 1997. Reprint, Cambridge: Cambridge University Press, 1997.
Seventeenth Century Flemish Drawings and Oil Sketches. Exhibition catalogue. 1958. Reprint, Cambridge: Fitzwilliam Museum, 1958.
Larsen, Erik. Seventeenth century Flemish painting. 1985///. Reprint, Freren [Germany]: Luca Verlag, 1985.
Lavin, Marilyn Aronberg. Seventeenth-Century Barberini Documents and Inventories of Art. 1975. Reprint, New York: New York University Press, 1975.
Gaskell, Ivan. Seventeenth-Century Dutch and Flemish Paintings: The Thyssen-Bornemisza Collection. Simon De Pury. The Thyssen-Bornemisza Collection. Collection Catalogue Lugano: The Thyssen-Bornemisza Collection. The Thyssen-Bornemisza Collection. 1989. Reprint, London: Sotheby's Publishers, 1989.
Gruber, Gerlinde, and Sara Mateu. She Fears neither Hell nor the Devil: A Closer Look at Ryckaert's "Dulle Griet". Exhibition catalogue Vienna: Kunsthistorisches Museum. 2013. Reprint, Vienna: Kunsthistorisches Museum, 2013.
Mori, Yoko. 'She Hangs the Blue Cloak over her Husband.' The World of Human Follies in Proverbial Art. In The Netherlandish Proverbs: An International Symposium on the Pieter Brueg(h)els, 71 - 101. The Netherlandish Proverbs: An International Symposium on the Pieter Brueg(h)els. 2004. Reprint, Burlington, 2004.
Royalton-Kisch, Martin. A Sketch for a "Journey to Emmaus" by Pieter Bruegel the Elder. Master Drawings, Master Drawings, 38, no. 4 (2000): 443 - 447.
Onuf, Alexandra. Small Landscapes in Seventeenth-Century Antwerp. The Burlington Magazine, The Burlington Magazine, 150, no. 1260 (2008): 190 - 193. http://www.jstor.org/stable/20073008.
Gibson, Walter S. Some Notes on Pieter Bruegel the Elder's `Peasant Wedding Feast'. The Art Quarterly, The Art Quarterly, 28, no. 3 (1965): 194 - 208.
Gage, Frances. 'Some Stirring or Changing of Place': Vision, Judgement and Mobility in Pictures of Galleries. Intellectual History Review, Intellectual History Review, 20, no. 1 (2010): 123 - 145.

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