Bibliography

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Zupnick, Irving L. The Influence of Erasmus' Enchiridion on Bruegel's Seven Virtues. De Gulden Passer, De Gulden Passer, 47 (1969): 225 - 235.
W
White, Lynn Townsend. The Iconography of Temperantia and the Virtuousness of Technology. In Action and Conviction in Early Modern Europe. Essays in Memory of E. H. Harbison. Action and Conviction in Early Modern Europe. Essays in Memory of E. H. Harbison. 1969. Reprint, Princeton: Princeton University Press, 1969.
Wazbinski, Zygmunt. Il Cardinale Francesco Maria Del Monte 1549-1626. 1994. Reprint, Florence: Leo S. Olschki, 1994.
V
Vignau-Wilberg, Thea. In Europa zu Hause: Niederländer in München um 1600 (Citizens of Europe). Exhibition Catalogue Munich: Staatliche Graphische Sammlung München. 2005. Reprint, Munich: Hirmer Verlag, 2005.
van Leeuwen, Frans. Iets over het handschrift van de "naar het leven"-tekenaar. Oud Holland - Quarterly for Dutch Art History, Oud Holland - Quarterly for Dutch Art History, 85, no. 1 (1970): 25 - 32.
Van der Stock, Jan. The Impact of the Prints of Pieter Bruegel the Elder. In The Prints of Pieter Bruegel the Elder, Exhibition Catalogue Tokyo: Bridgestone Museum of Art, 89-102. The Prints of Pieter Bruegel the Elder. 1989. Reprint, Tokyo: Tokyo Shimbun, 1989.
van der Stock, Jan. The Impact of the Prints of Pieter Bruegel the Elder. In Prints of Pieter Bruegel, In Freedberg, 89 - 102. Prints of Pieter Bruegel, No Date.
S
Spezzaferro, Luigi. Il Caravaggio, i collezionisti romani, le nature morte. In La natura morta al tempo di Caravaggio, 49 - 58. La natura morta al tempo di Caravaggio. 1995. Reprint, Naples: Electa, 1995.
Silver, Larry. The Importance of Being Pieter Bruegel: The Posthumous Survival of the Art of Pieter Bruegel the Elder. In Pieter Bruegel the Elder: Drawings and Prints, Exhibition catalogue Rotterdam: Museum Boijmans Van Beuningen & New York: Metropolitan Museum of Art. Pieter Bruegel the Elder: Drawings and Prints. 2001. Reprint, New Haven: Yale University Press, 2001.
Serebrennikov, Nina Eugenia. Imitating Nature/Imitating Bruegel. In Pieter Bruegel, 223 - 246. Pieter Bruegel. 1996. Reprint, Brill Academic Pub, 1996.
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Russell, Margarita. Images of Reality, Images of Arcadia: Seventeenth-Century Netherlandish Paintings from Swiss Collections. Exhibition Catalogue Oberlin (Ohio): Allen Memorial Art Museum/Oberlin College . 1989. Reprint, Winterthur: Jakob Briner Foundation, 1989.
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Pinson, Yona. The Interrupted Banquet in Bruegel’s Triumph of Death c.1562-1564. The Profane Arts of the Middle Ages, The Profane Arts of the Middle Ages, 6, no. 2 (1997): 302 - 315.
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Orenstein, Nadine, and Constance C McPhee. Infinite Jest: Caricature and Satire from Leonardo to Levine. Exhibition Catalogue New York: Metropolitan Museum of Art. 2011. Reprint, New Haven: Yale University Press, 2011.
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Mori, Y. The Iconography of Pieter Bruegel's 'Temperentia'. Journal of the Japan Art History Society, Journal of the Japan Art History Society, 20, no. 65-86 & 105-116 (1971).
Mori, Yoki. The Influence of German and Flemish Prints on the Works of Pieter Bruegel. Bulletin of the Tama Art School, Bulletin of the Tama Art School, 2 (1976): 17 - 60.
Michalsky, Tanja. Imitation und Imagination : die Landschaft Pieter Brueghels d. Ä. im Blick der Humanisten. In Künste und Natur in Diskursen der Frühen Neuzeit, 383 - 405. Künste und Natur in Diskursen der Frühen Neuzeit. 2000. Reprint, Wiesbaden: Harrassowitz, 2000.
Melion, Walter S. Introduction: Visual Exegesis and Pieter Bruegel’s Christ and the Woman Taken in Adultery. In Imago Exegetica: Visual Images as Exegetical Instruments, 1400–1700, 738 - 41. Imago Exegetica: Visual Images as Exegetical Instruments, 1400–1700. 2014. Reprint, Leiden/Boston: Brill, 2014.
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Lugt, Frits. Inventaire général des dessins des écoles du Nord publié sous les auspices du cabinet des dessins : maîtres des anciens Pays-Bas nés avant 1550. Collection catalogue Paris: Musée du Louvre/Cabinet des dessins. 1968. Reprint, Paris: Musées Nationaux, 1968.
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Illuminating the Renaissance: the Triumph of Flemish Manuscript Painting in Europe. Exhibition catalogue Los Angeles: J. Paul Getty Museum & London: Royal Academy. 2003. Reprint, Los Angeles: J. Paul Getty Museum, 2003.

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